Entries | Aurora Pellizzi

Pariendo Poncho

Pariendo Poncho, ikat cochineal-dyed wool, 2014

(Detail) Pariendo Poncho, ikat cochineal-dyed wool, 2014

This piece was ikat-dyed with cochineal on the warp threads and handwoven on a four-harness pedal loom. The weft is neon green acrylic thread. It was woven in double-cloth, leaving an opening in the center, in the way ponchos and sarapes are made.

Ikat is a resist dyeing process in which some areas of threads are bound before dyeing, protecting them from dye, so that when uncovered they retain the original color of the yarn. In this piece shapes were bound onto the warp threads before dyeing so that in the final piece white un-dyed figures appear on a cochineal-dyed ground.

The white shapes represent two mirrored female figures in squatting positions. The opening in the weaving, where the head would come through in the poncho, coincides with the genital areas of the figures represented, simulating a sort of birth process where the double figures give birth to the person wearing the poncho.

In the weaving process the ikat shape shifts slightly, rendering the image less geometric. The image appears slightly out of focus because the edges and borders become blurred. This process evokes movement and references the liquid aspect of the natural-dyeing process.

PARIENDO PONCHITO

Pariendo Ponchito, 2014, cochineal-dyed handwoven wool, 55 x 80 cm.

This piece is a smaller version of Pariendo Poncho, except that the image is inverted, so that the figure appears with red cochineal, while the ground remains white. Pariendo Ponchito was ikat-dyed with cochineal on the warp threads and handwoven on a four-harness pedal loom. The weft is un-dyed wool thread. It was woven in double-cloth, leaving an opening in the center, in the way ponchos and sarapes are made.

Ikat is a resist dyeing process in which some areas of threads are bound before dyeing, protecting them from dye, so that when uncovered they retain the original color of the yarn. In this piece shapes were bound onto the warp threads before dyeing so that in the final piece cochineal read figures appear on a white ground.

The white shapes represent two mirrored female figures in squatting positions. The opening in the weaving, where the head would come through in the poncho, coincides with the genital areas of the figures represented, simulating a sort of birth process where the double figures give birth to the person wearing the poncho.

In the weaving process the ikat shape shifts slightly, rendering the image less geometric. The image appears slightly out of focus because the edges and borders become blurred. This process evokes movement and references the liquid aspect of the natural-dyeing process.

LUPE

Lupe, 2014, acrylic felt on wood bars, 150 x 80 cm.

This piece is made out of industrial felt stretched onto stretcher bars. The acrylic felt material is used in Mexican folkloric crafts and costumes. The color, typically described as rosa mexicano, is feminine, folkloric, and kitsch.

Semi-circular slits cut into the fabric create shapes and flaps that reference the image of the Virgen of Guadalupe. Lupe is a commonly used abbreviation for the name Guadalupe. The scalloped almond shape of the religious image is often used in representations of the Virgin. The shape also references the body, particularly the female sexual organ, presenting a collapse between sexual and spiritual imagery.